What a nightmare!
A case study in how not to book a band. Since it is fairly lengthy and drawn out, the threads have been broken down to highlight each stage of the negotiations. Below is a breakdown of the 18 negotiation email threads. Click on each heading in the contents to quickly jump to a stage. Please note since some threads happened simultaneously, these are arranged on separate tabs to present this more clearly and chronologically. Please also note that the spelling has been corrected in some cases, but typos have been left in for effect.
On 16 Mar 2017, at 13:08, Anne Louise wrote: On 24 Mar 2017, at 14:03, Anne Louise wrote: From: Anne Louise
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 This thread explores the understanding that venues/promoters are assumed to have regarding band riders. It's trying to find a way of implicitly stipulating these requirements without being overly meticulous.
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Read & BlogRed & Black Music was set up in 2012 to stop musicians cancelling. Archives
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A category naming and shaming unreliable musicians to watch out for. Venues Watch A category reporting unscrupulous venues and traders. Clients Watch A category exploring the issues faced working via agents and promoters. Pinned Posts"Bookings"
"Busy" "Common Sense" "Complicated" Black List Event Diary #1 Event Diary #2 Individualism Information Transparency Productions vs. Bands Red List Risk Factor Semantics Unresolved Queries 1 Unresolved Queries 2 |
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Red & Black Music was set up in 2012 to stop musicians cancelling. Conforming to our striving for information transparency, Read & Blog is an open source of KLU (Knowledge, Learning and Understanding). It reports breaches of agreements and unscrupulous traders, communicates problems to be aware of, documents incidents, resolutions and future implications and explores and analyses ongoing issues/topics in music management and production. Full names, addresses and contact details of private individuals are omitted for the purposes of GDPR.
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